Portfolio

I defined requirements for Storyboard local editing, natural-language changes and drag-and-drop interactions. I also contributed to Template and Script Agent flows, connecting scripts, storyboards and video generation.

My work covered PRDs, prompt frameworks, template testing and an AI-testing / human-review workflow. The focus was a more controllable creation process with clear editing and review steps.

At Shanghai AI Lab, I worked on UI/UX for the Intern InkStone scientific discovery platform, spanning brand identity, the app icon and the product’s visual system. The work connects brand expression with the everyday product interface.

I used AI-assisted coding to implement web visuals and interactions, explore HTML–Figma collaboration and create interactive prototypes. This practice also supported the production and iteration of brand and operations pages.

NOIR NEIGE explores the contrast between frozen landscapes, dark clothing and tactile warmth. The portfolio brings together concept development, model and product studies, campaign stills and moving-image explorations.

The workflow pairs Nano Banana image generation with Kling AI video synthesis. It sits within my broader practice in AI films and brand visuals, using prompt frameworks to work on style and character consistency.

I contributed to Meeting Buddha’s Light through 3D scene and animation production. The project was produced by the Hangzhou Buddhist Association under the supervision of the China Academy of Art AI Center.

The theatre project brings together real-time rendering, glasses-free 3D and AI imagery to reimagine grotto heritage in an immersive setting. The selected images show the spatial scenes and installation context.